(En)gendered Agency 2023
Victoria May
From tent cities to opulent palaces, I am alternately touched and outraged—yet all the while fascinated—by human invention. For all our attempts at sophistication and control, there is the inevitable random or abject element; the fly in the typewriter. My constructions, ranging from installations to wall works, examine this interaction through jarring juxtapositions of ordinary materials. In using recognizable (and surprising) detritus and surplus from everyday life, these junctures stand as metaphors for the contradictions we witness daily. Obstinate concrete molds itself into voluptuous curves formed by seams in thin organza. The refined shimmer of silk and brocade takes on the quality of innards as it issues forth from industrially stitched rubber. I often rely on raw materials and found objects to function as would text or imagery, allowing the history, function, metaphorical value and/or sensibility of each element to contribute to the work’s intent, along with my own investment of labor. My process of creation blends intent with accident. Through both humorously crude and painstakingly delicate handwork, I welcome the random element that exposes the absurdity, beauty, and vulnerability in our well-intended machinations.
Blouse Series
The idea for the blouses came in part from my past experience as a maker of custom wedding gowns. Making custom-fitted clothing is an extremely intimate process; the pattern pieces perfectly follow the contours of the individual’s body, no matter how “imperfect.” Hunched shoulders, different-sized arms, swayed backs; all are revealed and accommodated accordingly.
A visit to New York City was also influential. The complex grandeur and absolutely planned quality of the city made clear to me the power of the mind to visualize and manifest. These garments are metaphors for the unconscious mental constructs that people tailor for themselves in adaptation to their life experiences and wear daily without a second thought.
The series began with the blouse filled with sand, Comfort, inspired by the soothing quality I felt from the lead vest used during dental x-rays.
Blouse Series: Keeping, 2000
handmade polyester organza blouse, tempered auto glass, steel stand
56” 20” x 9”
NFS
Blouse Series: Comfort, 2002
handmade polyester organza blouse, sand, steel stand
56” x 20” 9”
$1500
Blouse Series: Penance, 2002
handmade polyester organza blouse, rusted nails, steel stand
56” x 20” 9”
$1500