Visions In Clay 2024
Chris Leonard
Chris Leonard was born in Des Moines, Iowa in 1962. He currently lives and works in McAllen, Texas where he serves as the ceramics’ instructor at South Texas College. Leonard earned a BFA in Painting with additional hours to complete the Art Education Sequence from the University of Northern Iowa in 1985. As an undergraduate student, Chris began to build work and dreams inspired by Chicago’s Hairy Who and connect to most forms of expressionistic excess. Unable to find firm grounding substitute teaching or delivering pizzas in the Des Moines area, he quickly departed for the Rio Grande Valley of Texas in 1987 after expanding his educational certifications. In the borderlands of the late twentieth century, Leonard quickly began to illustrate high school algebra test O’ funs, paint it up on the patio or in the garage, and make big plans while living life inch by inch. At the completion of his fourteenth year of public-school teaching at the dawn of the twenty first century, Mr. Leonard returned to school full-time at the University of Texas Pan American and dove into their fledgling MFA program, finishing studies in 2003.
Following graduate studies, Leonard briefly taught foundations courses at his alma mater, UTPA, and began to show in larger circles while juggling teaching, a family of four with pets piled on top, and the fits and starts of finding time and space to make a productive studio practice. Chris joined the South Texas College art faculty in 2009 following service as a sabbatical replacement in the UTPA ceramics department extended into a stint as a full-time lecturer from 2006-2009. Leonard now teaches ceramics at the South Texas College’s Pecan Campus and has helped to coordinate their South Texas Ceramic Showdown for the past decade and a half featuring collaborative talent shown from participating schools in and outside of the Lone Star State combined with workshops and exhibitions from established ceramic artists from near here to pretty far out there. As the twenty-first century deepens, work that blends his Midwestern upbringing with media mixed in several directions continues to show fairly steadily near the Rio Grande, where he has now spent over half of his life, and at times travel beyond the border, too.
Just what am I making? If I were decidedly effective in my artistic endeavors through action and energy I’d arrive at a sensation of elemental power. The twenty-first century in America, there are so many choices! But are these choices always clear? I seem to find myself meandering off into symbolic meaning, metaphysical speculation, technical tribulations, and contemplative moods. As soon as I answer one question and solve a problem another three or five invariably show up. What I want is a smile on the face, a twinkle in the eye, a healthy glow in the gut, and maybe even a friend to confide in. If I don’t have these things, I’ve decided to make them. Much of my current work seems to explore boundaries; when does the positive connotation of universal optimism morph into the over the top proud to be an American where at least I know I’m free to engage in the pursuit of more consumable short-term solutions? Who wouldn’t want all the time, all the money, all the power in the whole wide world? Whatever you’ve got, I want, and I’d like to hold on to it all too tightly, if only for a little while. My attention span is my attention span and my heart continues to beat at least 60 beats per minute.
Cat vs Dog – Speck vs Log, 2022-23
Stoneware, Thrown and Altered, Reduction Fired, Cone 10
10” x 4.75” diameter each
$250 set