My work is often driven by the very process of making itself.  It is led by the touch of clay, using hand-building methods alone to create my vessels. I let the process of making intuitively guide the vessels’ final forms, with each part influenced by my relationship with the clay.

My vessels play with industrial forms on a domestic scale, echoing the language of industry and the monumental.  Hovering between sculpture and function, I push everyday objects beyond their domestic use into the sculptural. My vessels strive to reflect the anthropomorphic elements of the objects that fill our lives and offer a deeper understanding of how we relate to them.