Visions In Clay 2024
Mia Hill (she/her)
I work in mediums of clay, paint, and mixed media. With clay as my main medium, I work both with functional and sculptural forms. I enjoy hand-building as well as throwing clay. I find myself enjoying building with clay and painting on clay the most. Having that background in painting throughout most of my college career allows me to play with color and mark making in my forms. I find a good amount of inspiration in the world of the 2D, focusing on collage, pattern, and repetition. Other 3D inspirations I find are through fabric, botanicals, and the human figure. I try to include a variety of elements throughout my work, with varying color, texture, and overall form. In both ceramics and painting I tend to find myself using a wide range of colors: bold, light, and dark, in hopes of creating high contrast pieces. I also find myself leaning into concepts of duality, whether that be in my content or in the piece visually. I am also interested and have created art with themes of feminism in both ceramics and painting.
I first started my art career at San Joaquin Delta college, in the town I was raised, Stockton, CA. I had humble beginnings taking my first art class at this college as a biology major. After, I first switched my major to business, and then finally to studio art, where I decided to start my journey as an artist. I eventually transferred to Sacramento State University working arduously to better my skills in both painting and ceramics. At the end of my time at Sacramento State I found myself falling more and more in love with ceramics, focusing on clay as my main medium instead. This past Spring I graduated from Sacramento State with a BFA in Studio Art with concentrations in ceramics and painting. In the future I hope to go into residencies to study and further my work in ceramics and eventually get my MFA in ceramics as a goal to eventually teach.
I grip onto my past as I try to get a hold of my present and where I want to go. My childhood comes through, with faded patterns from baby clothing and bedsheets scattered throughout. I’ve kept these fabrics with me after all these years, holding onto a part of me that I’m trying not to forget. These are coupled with fabric from plaid flannels and lace garments, clothes I would wear today. The difference in patterns represent my masculine and feminine identities. The softness and fluidity of the fabric against the rigid and rugged edges bring a duality. The comfort of nostalgia and the discomfort of an identity crisis dual with each other. Together, these elements represent my identity, psyche, and experiences. Feeling attached and detached from who I am and who I am becoming, I stitch these pieces together like leather. As I fall apart, I nail and chain these memories. I sugar coat them in bright shiny colors and gild them in gold. I zip the whole together leaving it open for possibilities. Finally standing as one, this is what I hold as it holds me back.
Baggage, 2024
Stoneware electric fired, luster, wire, and embroidery floss
12”x14”x10”
$800